tommygirl: (writing)
I've been following along on many of the current discussions involving feedback, recs, etc, but I think probably two of the better discussions occurring are via [livejournal.com profile] esorlehcar.

First, she had an interesting post on feedback, which spawned some even more interesting discussions in the comments.

Then she followed it up with a post on reccing and for other reccers to share any stories they've had. (She also makes mention of the wank on "Reccers only rec their friends and such..." that you can read about here.)

I definitely suggest checking thess ongoing discussions out, but of course, I wouldn't be me if I didn't add my two cents somewhere.

Tommygirl's take on feedback... )

Tommygirl and the way she recs... )

**

Let's see if I can't get a few more ABC ficlets done today. Really need to write some JA/JP for the CW Kink challenge in the next few days. I need some Jsquared inspiration. Help me out, my friends.

On that note...ciao.
tommygirl: (sga - sheppard - oh please)
Like most of the livejournal community, I must admit that I got sucked into the story by [livejournal.com profile] charlottelennox that gave a thorough (if not one-sided) examination of much wankage of the past in the Harry Potter fandom.

The account is hardly impartial toward what seems to be one group of the fandom, whether that was due to author's omission or an inability to get any information from the other side, I don't know. But overall, I think it's an interesting read and look at a segment of time within fandom, as well as proving what it sets out to - that a certain person within the Harry Potter fandom successfully hijacked it and aided in turning numerous things into huge ordeals. I think it also sets out to show that BNFs, especially of the Harry Potter fandom, were considered in such high esteem (even if only within their own ranks) that it was impossible to believe that one of them was inciting all these problems, despite alleged proof being provided. I don’t know about that – as I’d like to think it was more a case of “why would my friend do that sort of thing to me?” mentalities – but I found it interesting that proof was ignored for some time.

So that’s been my past few days. Not writing, but reading all ten chapters of the story and thinking, “Wow. It's nice to read about a sociopath working her magic throughout one fandom whenever she got bored enough.” I feel quite badly for her "friends" who were duped, but more than anything, I found myself asking "Why?" over and over. Why would anyone do this? Why did it matter to this person so much to be a part of the "BNF clique" that's mentioned? Why go to such extremes for something that's supposed to be fun?

In fairness, I'll be the first to admit that I don't know much about any of this outside of what I just read. I'm a peripheral sort of participant in the Harry Potter fandom and always have been. Actually, that pretty much sums up my fandom participation in general - I do my own thing, read what I like, ignore what I don't, and try not to get caught up in drama...and if I make some great friends along the way, all the better. I don’t know the people discussed in this story and I don’t really know much about most of the wanks that occurred. I simply find it intriguing the lengths at which some people will go to become a “BNF” and/or achieve notoriety.

I guess the closest I’ve ever come to dealing with BNFs was back when I was heavily involved in the Nsync fandom. I was never a BNF, but I knew some of them, and some of the crap that went on was...bizarre. And there were a few of them that seemed to attract so much ire, maybe deservingly/maybe not, that it could take over the entire fandom for days. Even then, I never understood the appeal of such things, but I can imagine how in a bigger fandom like Harry Potter things could quickly move from amusing wank to insanity. And that intrigues me.

I have no real interest in the outcomes of those involved (whether defending them or arguing that they are evil incarnate), as much as trying to figure out the appeal of undertaking such activities. What type of person does this sort of thing? A sociopath? Someone with a lot of time on his/her hands? Is your own life that lacking? I mean, I hardly have the most exciting personal life, but I guess it keeps me busy enough that I don't go around starting up drama on the Internet.

And what is it about the idea of popularity on the Internet and Livejournal that is so appealing to everyone? Is it like a different form of high school for some – a way to be included in the “in crowd”?

It’s all so baffling to me. And maybe it’s because I’ve been through it in real life. I was a horrible bitch in my early high school career. God, I hated myself half the time, all in the name of popularity. And it just got to the point where I wondered, “What’s the point? What am I really gaining from this?” And I was much happier once I didn’t bother with getting caught up in all the drama and crap that went on. So, is that what this is – people working out their own issues with what constitutes friends versus friends because of who I am/who I could be?

There are plenty of meta pieces and such on popular fandom writers versus BNFs and whether the two are linked. I can say that as a writer, I’d always love more feedback. It’s a wonderful thing for a writer. It lets us know that people are reading and hopefully enjoying what is being written. It shouldn't be the only motivation for writing, but I’m a firm believer that most of us write to share our work with others. Otherwise, no one else would ever see it.

But how does one go from desiring more readers and going about normal avenues of pimping to desiring constant attention and the sort of love/hate relationships the Internet seems to have with BNFs? How does one decide that turning fandom into a hateful place for so many people is the way to achieve one’s own fame?

I wish I knew. Instead, all I can do is shake my head and move on, because I'm afraid we'll never really have the answers to those questions.
tommygirl: (house - alienate)
Dear Supernatural,

I want to marry you and have like a billion babies. You make me so happy that I'd even write my own vows and TONS of "roses are red, violets are blue...oh supernatural, you rock...and I really love you" poems.

Love,

Tommygirl

**

Having just finished two books in the past week, I started Incendiary today during lunch, but I had to put it down. It's an interesting premise, but the author's lack of punctuation as a literary device/style is KILLING ME! I kept stopping every few lines and wondering where the hell my comma or period were. It's not a book for a grammar nazi like myself - it nearly gave me a heart attack until I put it down and decided to read something else.

And this is why I always carry two books around with me - because if one tries to kill me, I can read another.

**

I have so much writing to do and no energy with which to do it. That's a sad thing.

**

Finally, because it seems to show up quite often in various journals regarding different fandoms, I keep thinking about the use of livejournal and if a writer does need to censor/plan out what they write in order to appease their friends list/audience. I can understand how it might be sad or frustrating to reader A, who loves writer B's Gilmore girls fic, only to discover that now writer B is obsessed with Firefly instead. However, I can't get behind the idea that the readers' demands be heeded. That's right. I'm taking the John Wells' method of creating - don't give the fans what they want.

Though I don't really like to think of it like that. My feeling is that a journal or website is a person's own world to play with as they see fit. Humans can be fickle and change and be easily swayed by new pretty. It's the way things are and to waste time getting upset with someone for being a "fan" or squeeing/ranting over something that doesn't interest you, seems ridiculous to me.

I mean, there are people on my friends list that I adore that like to go on about SG-1. I have no clue what they're talking about, but rather than whining that they talk too much about it, I simply scroll on past the entry onto another one.

Maybe it all goes into some users' idea that a friends list is just that - friends - whereas, for the most part, mine is a reading list. If my reading habits change and differ from my current roster of journals, then I'm likely to remove that journal. It's not something personal. It's because everyone has the right to babble on about whatever s/he wants to and it's up to me whether I join you in your squee or ignore it.

There is no logical reason to try to sway your friends list by not-so-subtle whining in your journal about the overabundance of information on a show. Just get over it and move on. read someone else's journal instead, friend new people who still share your loves. It's just a position I can't support.
tommygirl: (Default)
On those less busy days at my office, I like to attempt to get caught up on all the meta going on within fandoms. I find it all very intriguing and this time is no different. It seems the big hoopla recently has been about the idea of fanfiction as some sort of threat to authorial intent and how anyone who writes fanfiction (myself included) is less than a real writer.

Because it goes on for a bit... )
tommygirl: (writing)
On those less busy days at my office, I like to attempt to get caught up on all the meta going on within fandoms. I find it all very intriguing and this time is no different. It seems the big hoopla recently has been about the idea of fanfiction as some sort of threat to authorial intent and how anyone who writes fanfiction (myself included) is less than a real writer.

Because it goes on for a bit... )
tommygirl: (selene underworld)
So there is a lot of discussion going around in various fandoms on the het versus slash and real person fic (RPF).

[livejournal.com profile] penknife wrote up a wonderful breakdown that everyone should read on the whole het/slash debate.

And basically, those same sorts of things can apply to the real person fic debate. I don't understand the need for certain writers to put other writers in fandom down for using real people in their stories. Most stories have a summary or a cut-tag and you don't have to click on it if you're not so inclined. It's rather a simple process:

Me - (looking at friends list) wow...so and so has written Jared Padelecki/Chad Michael Murray Fic. Not my cup of tea.

(moves right along)

Please note that I don't go on to read it and then send comments/feedback that basically go on about the evils that are RPF/RPS nor do I get confused at how such a thing could dare to show up on my friends list.

I personally enjoy RPF/RPS. I started getting involved in fandom via Nsync fanfics and it's something I enjoy. I've always made it quite clear, as well as all other authors I stumbled upon who weren't psychopathic trolls, that it was all fiction, as in a figment of my bloody imagination written out to share with whoever was interested. Never did I force people against their will to read (well, unless you were my sister).

The first argument always seems to be it's much easier to write or not as creative. Obviously, this argument is made by people who've never even read a RPF story. Because, as someone who has written both RPF and regular fanfiction based on shows/movies/books, I can tell you that both are equally as hard. And that I never claim that my take on the personality is completely accurate - it's FICTION. I take liberties the same way others take liberties with plotlines in their fandom universes - the goal is just to make it believable to the reader.

The second argument seems to be something even more illogical as a reason. People who call RPF bad writing simply because of who it's about is on par with saying that those who write slash are superior to those who write het. (i.e. not true) You're going to stumble upon bad writing no matter what genre or type you choose to peruse in fandom. It's the way things go.

But bad does not equate with "not my cup of tea." Let me repeat - your preferences does not automatically mean that something is awful or poorly written. There are certain types of fics that I'm not interested in so I don't write them and I don't read them. I make no assumptions about the writer's ability - I simply keep going on with my day in my happy place.

So why is this something that continually comes up? Is it because certain people only feel good about themselves when they hide behind the security of their computer to bash someone else's personal preferences? Like those people that we've all worked with at some point in our lives, who measure their greatness by forcing other people into roles of failure?

Whatever the answer my philosophy will always be this. Fandom is for fun. Read and write what you want and ignore what you want. No need to point out in your journal how those who do this or that are lesser than you. it just makes you seem like an asshole.
tommygirl: (writing)
I've been thinking alot about myself in terms of my favorite things in stories and those that I tend to focus on when I'm writing within fandom (I guess it also applies to what I gravitate toward in my regular writing as well). I've been trying to figure out its importance from the writing perspective.

Cutting because this may be a bit long and I don't want to clog anyone's friends page... )
tommygirl: (writing)
so [livejournal.com profile] vampirefever posted a question regarding feedback such as when do you leave feedback. It got me to thinking about my own tendencies to leave feedback as well as how one responds to the feedback that they receive.

I guess it doesn't hurt that this conversation came up about a week after I had an anonymous poster write to me "This was weird" with no further information or way to contact them. My mind was already on the topic of feedback and constructive criticism and the likes.

When Do I leave Feedback?

I'd like to say that I always leave solid reviews/feedback of every story that I read, but that would be a bold face lie. I just don't have that sort of time to devote to such critical reading and a lot of the time, I don't believe that most writers are looking for that sort of critical reading of fanfiction.

I do try to leave some sort of note to every author of a story that I enjoy. As a writer, I always relate to the plight of the author and the hope for feedback on each piece that they work on. I'm a firm believer that no matter what might be said to the contrary, all authors, on some level, are seeking out some sort of response from his/her audience. Why would it be published where others could read it if they didn't want some sort of reaction? Because of that, I attempt to make sure that I say something about each story that I read. It might not be anything more than "great piece" but I feel like I should do that for the author after what they've produced for me.

That said, I'll admit that the best feedback I offer is to people I'm friends with or have developed an author/reader rapport with over time. I find that the better I know someone the more comfortable I am giving detailed feedback because they won't immediately view it as a flame if I dare to dislike a piece of a story. I rarely will provide someone with constructive criticism (whether they ask for it or not) if I don't know them in some way aside from this story.

When Don't I Leave Feedback?

Yeah, if I can't think of anything nice to say, I don't say anything. Usually, if I start a bad story, I don't make it to the end. I'm very picky and that's time/patience I don't have.

How Do I Feel About the Feedback I Receive?

I love to receive feedback on my stories. Something as small as great story to a nice in-depth review of a piece. I adore constructive criticism because writing is what I do, it's what i'd like to one day make a living at, and I need those sorts of opinions from people to proceed. I can pretty much take anything a person throws at me and work with it, as long as I know what they're talking about.

Take for example this recent "It was weird" feedback I received. That doesn't provide me with any help. I don't know what to make of something like that. All it does is drive me crazy, leading me to re-read the story several times looking for what this person could possibly mean. A reader has a very different relationship with a piece that I wrote than I do. There are things that I simply know about the situation and my characters and because of that - it's quite possible I forgot to actually make it clear.

But how can I clarify it if I don't know what the it is?

And the whole anonymous posting/emails is just...if you can't say something to someone and allow them to talk to you about it, well, I don't know if you're deserving of my time or I should value your opinion. Is that fair? Maybe not, but I don't think it's fair to post something without putting your name to it.

Do I respond to all my feedback?

No, I don't. I read all of it. Save all of it. And I try to respond to as many emails/comments/etc that I can, but I just run out of time in the day at points.

I always respond if someone poses a question to me, someone provides an insightful review of things, or if someone does offer me some constructive criticism that I want to pick his/her brain about. I appreciate every email that I get and know that it took someone some amount of time to write and send...but I focus on those first.

It's also more because I don't always know what to say when someone writes "Great story" aside from "thank you." Does the reader even want a response at that point? Does the reader have something more that they want me to respond with? I never know - so I put those emails off to last and sometimes they go unanswered.

All in all, it's an interesting thing to see how each person responds to providing and receiving feedback from people. I love it all and therefore think that all other writers share my love of it - hence the reason, I'll always try to write something to let someone know I read her story.

**

So, I got my first writing question:

So, what comes first? The character or the plot? Why?

This is like the chicken or the egg story, isn't it? There could be an argument for each side of it and what it comes down to, in my humble opinion, is your inspiration.

For myself, I can tell you that it's always about character. I'm a character writer and most of my stories deal more with his/her own arc than a nifty plot. That's not to say I don't think plot is important and necessary, but I find that once I can get into my character's head, the story has a tendency to move more than it would with me forcing journeys. I think character voice is probably the most important thing to a story because it's the character that has to experience your plot, it's the character that has to have some sort of climax that results in something chaning in the character. If you don't know your character, the rest fails because of it. I can always work the plot out later as I go, fix the flaws in that, but I find that if I'm not sure of my character, the whole thing falls apart.
tommygirl: (joa - goth god)
I want my weekend back! I need it back so I can get some writing done and the like...but I had a feeling with sorority sister visiting, the boy coming down from NYC, and a gathering planned for Saturday night that by Sunday I'd be too pooped to write.

And television viewing is much more important.

This past week's Joan of Arcadia )

**

In other news, [livejournal.com profile] themostepotente began a discussion on collaboration and the necessary chemistry...it got me to thinking.

I have to say that the main thing for me with collaboration is that I feel completely comfortable with the people I'm working with. I need someone that I can not only toss ideas back and forth with, but someone who isn't afraid to call me on a bullshit bit or something that completely doesn't work.

The story I'm working on with Steph [livejournal.com profile] iamtheenemy falls into this area. Because she and I have an established rapport with one another and don't fall back on the polite trivialities when working together. (It also doesn't hurt that she and I share a love of the same hot boys, same shows...thus working their way into both our writing).

Most importantly though, the thing that's extremely hard to count on, is someone who strengthens your weakness with their own writing. I think this is most obvious for me with my ongoing Epic with Hedda [livejournal.com profile] imaginaryfields involving Orli. Because she is so amazing with describing emotions and settings in such prolific prose...where as I'm much better with dialogue and creating obstacles. I think this is especially necessary since we both write for the same characters. In situations where one writes one POV, and the other a different POV, there is more room to negotiate this terrain...but she and I have been able to create an Emily that we both can write for, that (at least I think) a reader wouldn't be able to know who wrote which scene.


I guess that's why I tend not to do many collaborations. Along with the fact that I'm uber busy and the biggest procrastinator ever, I need to have a certain comfort level with someone before I can undertake something like that.

**

Okay, I have a lot of Nano writing to do in order to catch up for lack of it on the weekend. I'm stalled out at a little over 11,000 words! Ack!
tommygirl: (seth - love)
It's Tuesday at work. Dreamweaver is giving me a headache and I have much work-related web stuff to do, so I thought, "Go to livejournal and go crazy."

Much better than going blind from making pop-ups against my will (I hate pop-ups, but cannot convince my bosses that others hate them as much as I...ugh!)

Anyway, a bunch of stuff from a rambling on writing to some memes going around.

[livejournal.com profile] epicyclical posted the following question: So, for you writer-people: When did you start writing? Have you always written? Why do you do it - do you want to be a professional writer, or do you prefer to write fanfic or just write for yourself? Inquiring minds...

if my long winded response doesn't signify that I'm a writer, then I don't know what else does )

**

So I did the “month you were born meme” and it’s weird how accurate it is in some respects.

August says that I’m like… )

**

I would do the DVDs I own meme that’s going around except for the fact that I own way, way, way too many DVDs and that’s a lot to read. So I’ll do the TV shows on DVD I own, which is enough in and of itself.

TV shows on DVD that I own )

**

And finally...

The political what I’ll do if so and so wins meme… )
tommygirl: (simon-ff)
So I stumbled upon this post by [livejournal.com profile] fabularasa regarding RPS and the like, and am mildly amused, in awe of her ability to present an interesting argument, and disconcerted by what she wrote.

In my opinion, fanfiction (which does include RPS, whether it be "the redheaded step child" or not) is about taking all those things that we as a fan of whatever-it-is-enjoy and putting it into a creative context for ourselves. One does not write fanfiction, or should not anyway, because they want to appease the world around them. I can't imagine writing a fanfiction story that I, myself, wouldn't want to read or doesn't appeal to me.

So what harm is RPS? If it makes the person who's writing it happy and those others that maybe share a love of Orli/Dom for example, well, what does it matter? What makes it any less of a piece than a Harry Potter James/Harry story? I mean, incest fics based off books/shows make me squeamish, but I don't go around unequivocally stating that it is less of a work of writing and thus unworthy of praise/criticism/reading because of it.

As for the writing off the community persona of a person, most of the good writers don't do that. It's all about impressions and inspiration that you, as the writer, get from an article or interview or such. Sure, it's a perception, but isn't all fanfiction in a way? Don't we all work from our own starting point and experiences to formulate certain ideas of what is going on in canon?

That's why I love fanfiction--RPS and other--because it's this vast opportunity to see and read and notice things that one doesn't on first glance. There is good and bad in all sorts of fanfiction, not just RPS, and it's a matter of preference and finding your own niche, writers you consistently enjoy.

I would say the biggest detriment of writing RPS or Real Person anything is the occasional crazy person who thinks you are that person or related to that person. I've had it happen and that worries me. Because I can't tell if people are serious or not--and then it makes me wonder what people think of Orlando Blomo or Lance Bass to think they sit around in their freetime writing stories about themselves. Heh.

Anyway, I will continue to write my perceived Justin Timberlake and Orlando Bloom into stories because it's fun and a hobby and I enjoy it. If you don't, if it's not your cup of tea, that's fine, but please don't make assumptions about my motivation or utter lacking in fandom.

{end of rant}

**

In other news, I just might make my Original Character Ficathon deadline after all. Last night while trying to fall asleep (which is always the way it is, it seems), I had this little banter scene pop into my head to start the story off. I got up, typed into word, saved it, and went back to bed. Hopefully today I will able to work from it and salvage something of a story.

It's always getting started that gives me the trouble. I put so much pressure on myself to have a great opening that I think that's why it takes so long for me to complete anything.

**

I've been watching my dvds of popular and how could I have forgotten how much this show used to amuse me?

Also rewatched Smallville because it has Naked!Clark and IndianaJones!Lex...and that? Is the sex, my friends!

Now I'm off to lunch with some friends and then to do some writing until my evening television viewing begins.
tommygirl: (syd-gryffindor by toastandtea)
By now pretty much everyone has heard about the Anne Rice likeohmigod how can you not like my stuff response to negative reviews she gets on Amazon.

Wow, to have one's own head stuck so far up their ass. It's impressive. It's nice to know that once you reach a certain level of fame in publishing the general rules don't apply to you and crap is allowed. It explains so much.

I've read Anne Rice too. I've enjoyed some of the stories, but I've always had a problem with her overuse of prose/description for things like stone tables and then BAM dialogue for a page that its jarring and never explained. Now it makes sense.

That's all I'll say though because many people have already said it better than I could. But it does make me think of certain "I write for myself and don't care what other people think and don't need betas because I'm prolific and magnificent" writers in fandoms.

**

I'm once again procrastinating on two ficathon pieces that need completion. Ficathons will be the death of me, but it's like I can't stop myself. Some of them are interesting ideas and I think, "Just this last one...it won't hurt anyone." Until I'm ripping out my hair by its roots on the due date wondering why I didn't pay attention to the deadline sooner.

In fairness though, I'm like that with any and all deadlines I ever get.

**

So much writing to do, so little time...and here I am, updating livejournal. I guess I should get to work. Evil muses might hurt me otherwise.

But first,

[Poll #354784]

**

Okay for real. Going. Writing. Or pretending to write while I ponder my own lack of discipline. Maybe I'll do one of the prompts from [livejournal.com profile] quillandink.
tommygirl: (hp trio by trickster_)
So I just got back home from the pre-birthday festivities. My belief is that my birthday fun should last the entire weekend. My birthday might actually be tomorrow, but the fun began today and will go until Sunday night when I collapse in bed having eaten too many sweets (because cake out the wazoo--yummy, but not for the tummy) and gotten lots of hot boy gifts!

Anyway, in avoiding to write, I took to answering some much belated comments/feedback and it got me to thinking...

I always respond to feedback related sorts of things, but do readers necessarily want that when I have nothing really to offer except my deepest gratitude? I do it because I think I would want that acknowledgement from the author if I took the time to write and I've written long responses to a story that's moved me to never here from the author and it makes you rethink the whole sending-feedback-thing sometimes (though I trully, truly understand not having as much time as one would like). But the problem I have is that sometimes when I get "great job" it feels strange just to respond "thank you."

What exactly pinpoints that important spot between responding with something short based off the author's comments and coming across as rather pretentious and annoying? I always worry about that. That when I say, "Glad you liked it" people take it the wrong way, as though I'm simply placating them or something-because I am quite truly ecstatic that people enjoyed it and really have no ability to take compliments well nor any idea what the proper response is beyond "thank you."

It's the same when random people have IM'd me in the past saying they've enjoyed my stories--I say thank you...but then what? I don't know what I should do half the time? I'm good with characters, not so good with real people at times, I think.

What are people's thoughts on this? Is there a certain type of feedback you don't bother responding to, or as a reader/commenter, a certain type you don't want responded to? Or should all feedback, if possible, be responded to? And how do you feel when you just get something like, "Thanks, glad you liked it" back?

I'm curious--because I always feel so damn inadequate when grasping for the words to accurately express to people how much it means to me, how surprising it always is, that they've enjoyed something...

**

Okay, off to watch some O.C. episodes I have on tape to try to spark that O.C. muse into allowing me to write this silly story...oh and [livejournal.com profile] sdlucly? Thanks for the ideas...I'm going to work with them dude!

Have a great weekend!

Feel free to give me the birthday gift that keeps on giving (no, not an STD)...Michael Phelps or Orlando Bloom or Ben Affleck. Heck, I'll take all three if you insist. Heh.
tommygirl: (saunders by tayschaos)
There have been a few interesting conversations occuring regarding aspects of fandom and fanfiction writing, sparked in part by [livejournal.com profile] musesfool and her post on what she finds tacky in fandom.

It got me to thinking about the feedback portion in particular. I'm one of those writers who wants feedback--not just the "great story" (though I will take that willingly), but some constructive ideas of what works and what doesn't--and I realize, to a large extent, almost every writer does want feedback. I have no qualms about asking for it from my readers. I believe that writing is one of those careers or hobbies that requires interaction with your audience. You write for an audience. Yes, it's true. You have to want to write and enjoy the characters/storyline, but when people say things like, "I write for myself" I cringe. If you were writing solely for your own amusement, it wouldn't necessitate posting it on the Internet where others could see it. No, writers post their material to find out if it accomplishes what it set out to do--varying often in nature, but almost always hoping to at least be compelling--and the only one who can offer that information is the reader.

That said. It's a tricky balancing act. We all want feedback and I see nothing wrong with asking for it, but on the same hand, I hate needy writers. The needy writer is never satisfied unless their ego is constantly stroked chapter after chapter. They only like positive feedback, tend to constantly question their own works in order to seek out more praise, and often are the type that hold stories hostage to fulfill some sort of weird lacking in their lives. While I willingly accept and ask for feedback, I do not hold it over the head of the audience in general. I do not have demands on the type of feedback I receive--only accepting the positive responses and not taking into consideration anything derogatory--or the quantity that must find its way to my email inbox before I update again. I can't believe the gall of some writers, especially since it appears in most cases to be the bad writers, who make such demands on their readers. While no writer on the web, writes merely for herself, a writer shouldn't be writing to simply expound on what he/she thinks everyone wants.

I find that when I see a story, no matter how good it appears to be, if I see a line like, "If I don't receive at least ten comments on this, I'll stop updating," I stop reading. If the only thing that keeps your chapter going is the reader, maybe it's time not to post it. I know every writer goes through this phase, especially in fanfiction, where you've worked really hard on a piece and then...nothing. No one responds at all for what feels like an eternity and you wonder, "Was it terrible and no one wants to tell me? Has anyone even read it? What the hell is going on?" I've been there plenty of times...but I don't know. Maybe I lack that inherent trait that should tell me to stop posting the remainder of the story, but I do anyway.

It's such a tricky thing to get around. Is there an invisible line in the sand that states when a person has crossed over from the natural I-want-feedback reaction to the crazy feedback-or-else behavior? I wish I knew...but I recognize it when I see it.

**

I signed up for my first Ficathon ever. I usually don't do challenges/ficathons with deadlines because I have enough of those with my regular writing to make and fanfiction for me is more a relaxer. I understand the pull of them. A lot of the times, the challenges are very interesting and good way to force yourself to pull something out of yourself. If I had more time, I might even find myself involved more often, but I don't...so I tend to avoid them.

But I decided to give it a try. One story can't be that bad and the rules give us a month to complete the thing. I can do it and it should be interesting. I've never written in this specific fandom before and I want to give it a try.

**

With that long ramble and meaningless diatribe, I'm off to finish out the remainder of my work day (Twenty minutes! whoop, whoop) and then I get to see Michael Buble in concert in Philly. Gotta love hot boys who soulfully croon to you as their eyes lock on yours.

March 2025

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